And Everything In Between, 64x48, oil on linen 
If I was the Wind, 24x20, oil on panel 
Oz, 36x42, oil on canvas 
For Sail, 60x48, oil on panel, SOLD 
Jetty, 16x12, oil on canvas, SOLD 
On the Mark, 36x36, oil on canvas, SOLD 
Opportunist, 36x36, oil on canvas, SOLD 
Nina's Kingdom, 38x50, oil on panel, SOLD 
Narrow River, 30x48, oil on canvas 
The Grove, 60x44, oil on canvas, SOLD 
Yellow Jacket, 36x48, oil on panel 
Plain (triptych), 48x115, oil on panel 
Bent, 48x36, oil on canvas, SOLD 
Green Mountains, 24x30, oil on panel, SOLD 
Lee, 24x30, oil on panel, SOLD 
Easing Off, 36x48, oil on panel, SOLD 
Draw, 36x48, oil on panel 
Waders, 48x38, oil on panel, SOLD 
In the Ether, 48x50, oil on panel, SOLD 
The Galway Belt, 40x32, oil on panel, SOLD 
Over Beyond and Through, 28x60, oil on canvas 
Shallow, 40x40, oil on canvas, SOLD 
Cast, 28x36, oil on canvas, SOLD 
Interstate, 26x50, oil on panel 
The Pond, 50x25, oil on panel, SOLD 
Wayside, 42x42, oil on canvas,SOLD 
Drifters, 24x48, oil on canvas 
Ensemble, 46x46, oil on canvas, SOLD 
Defiance, 36x18, oil on canvas, SOLD 
Afterglow, 26x60, oil on canvas, SOLD Artist Biography
My work combines patience and action, the action of stopping to look carefully, the patience of describing why. I was born the son of two teachers in Greenwich, Ct. Among the most resonant lessons was the joy of creating from “scratch.” In cooking, in building, in art, there is always more enjoyment to be had when using what is available. “Home made”, “hand made” were descriptions that peaked interest. At Middlebury College I studied fiction writing, but also drawing and painting. At RISD I earned my Master of Architecture degree, but also studied painting and metal work. It would seem that the things I relegated to the sidelines have always been my favorites. But the critiques from my professors remain, they have shown me that I can never be finished growing. I have a son and daughter, a supportive wife, and have chosen to paint full time. This way I can create as it hits, and live immediately as a father and husband. “Scratch” is not just a baking term, but a way of looking and appreciating. To look at a day, the occupations of the people around me, the changing seasons, and light…that is why I paint.